Protection and inheritance of musical intangible cultural heritage from the perspective of cultural reproduction--- Take Dongguan Salt Water Song as an example
咸水歌 ; 文化產業 ; 文化再生產 ; 非物質文化遺產
Saltwater songs ; cultural industry ; cultural reproduction ; intangible cultural heritage
The wind blows, and the words are salty. Do you know that they are Tanka songs? This paper is to study the music intangible heritage -- saltwater songs, how to better integrate with society and how to carry out cultural reproduction in contemporary times. This paper will fully show the characteristics and importance of Dongguan saltwater Song, and put forward feasible opinions according to the existing development problems. Combining with the current social development, this paper will combine Dongguan saltwater Song with the current cultural production mode, realize the modern value transformation of intangible cultural heritage, realize industrialization and marketization, and provide reference for intangible heritage similar to the saltwater Song. It is more conducive to the inheritance of national culture.
The research methods are mainly anthropological field survey, supplemented by in-depth interviews, and questionnaire survey at the same time. The author tries to draw a conclusion by combining literature method. In recent years, many scholars for Dongguan saltwater songs less research, mainly derived from other areas of saltwater songs began to research, and research is mainly the concept and development of the description, the research method is mainly through the investigation of local people, without a theoretical research support, the study from the intangible cultural heritage related protection theory, This paper studies the importance of protecting saltwater songs, and explores corresponding protection strategies for Dongguan saltwater songs from the perspective of national policies such as the intangible cultural heritage for poverty alleviation. From October to November 2021, I made several field investigations in Dongguan and Sha Tin. I also had an in-depth understanding of the development and evolution of saltwater songs in cultural centers and cultural stations, and conducted in-depth interviews with the staff in charge of the cultural centers, local residents and saltwater singers. On this basis, questionnaire survey and analysis were conducted on local residents at the same time, in order to fully grasp and present the development history, current situation and existing problems of Dongguan saltwater Song.