In today's world, with the surging tide of economic globalization and cultural diversification, China has taken a series of protective measures to protect the traditional culture of various ethnic groups, among which traditional music education in primary schools in ethnic areas is regarded as an important part. This paper takes nine Korean primary schools in Yanji City as examples, with their music teachers and students as the research group, and explores the characteristic development status of traditional music teaching in primary schools in Yanbian area from a microscopic perspective, especially the traditional music of the ethnic group as a teaching model combining school-based curriculum and unified curriculum in Korean primary schools, and finds out the difficulties in its development. And put forward a specific solution strategy.
This study uses the case study method and the interview method for comprehensive analysis, investigating the general situation of music education in Korean elementary schools in Yanji as a case study, and conducting in-depth interviews with the heads of teaching and music group leaders, as well as outstanding teachers. The main problems of traditional music education in ethnic primary schools in Yanbian are summarized, mainly concentrated on the infrastructure of teaching, the composition of teachers, the use of textbooks, the curriculum setting, the practice of teaching, the degree of attention to Korean music education, and the problems encountered in teaching, etc.
According to the interview materials analyzed in this study, targeted solutions are proposed for the six problems above. In summary, the traditional music education in ethnic primary schools in ethnic autonomous regions has significant importance in protecting Chinese traditional culture. We should fully recognize its value, continue to deepen relevant research, actively explore practices, and integrate traditional music education into the school education system, contributing to nurturing a new generation with national pride and cultural heritage awareness, thus jointly promoting the prosperity and development of traditional music education.
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